Marx’s Dyslexia
“How should Marx be read today? Or, rather, which Marx do we need to read?” Agon Hamza on “Marx’s Dyslexia.”
“How should Marx be read today? Or, rather, which Marx do we need to read?” Agon Hamza on “Marx’s Dyslexia.”
Andy Fitch interviews Melissa Buzzeo, author of "The Devastation."
Dan Friedman unreels “The Man Who Made the Movies,” a biography of William Fox by Vanda Krefft.
Jean Rosenbluth reviews Bryan A. Garner's "Nino and Me: My Unusual Friendship with Justice Antonin Scalia."
Ricardo Hernandez engages with the Poetry Coalition’s 2018 initiative, “Where My Dreaming and My Loving Live: Poetry & the Body.”
What do Frederick Douglass and the New Criticism have in common?
Jonathan Alexander discusses the fantastical elements of "Black Panther" and "Call Me By Your Name."
Finding solace and strength in Karen Karbo's "In Praise of Difficult Women."
Emily Wells on the language of pain in literature.
You are "bold," "feisty," "sassy," and "magical." When you're young they call you Black Girl Magic. When you're old, they call you Big Mama. Do you know who you are? You are THE STRONG BLACK WOMAN. Your talents are legendary. Your skills are celebrated. For you are a socially-generated, culturally-upheld myth.
You are so strong that, one day, you may self-destruct.
On Carl Cederström and André Spicer's "Desperately Seeking Self-Improvement" and the obsession with optimization in a neoliberal world.
Robert Wood interviews Michelle de Kretser about her new novel "The Life to Come."
John Flynn-York on A. G. Lombardo's debut novel, "Graffiti Place."
Listeners find community and authenticity in the podcast “Beautiful Stories from Anonymous People,” where the one rule is that callers remain anonymous.
Genocide expert Philip Gourevitch in conversation with Robert Harrison.
Benjamin Balint revels in the elegant gravity of Wendell Steavenson’s “Paris Metro.”