The Ravages of Revelation
How three “garage philosophers” fought off a divine invasion in early 1970s California.
How three “garage philosophers” fought off a divine invasion in early 1970s California.
As literature, "The Handmaid’s Tale" condemned us — but, as franchise fiction, "The Testaments" is full of miracles.
Elizabeth Sulis Kim reviews Margaret Atwood's Booker Prize–winning novel, "The Testaments."
Aaron Shulman interviews Courtney Maum about her third novel, “Costalegre,” probing the intersection of art, borders, and the self.
Leeore Schnairsohn reflects on the voices of Christos Ikonomou’s “Good Will Come From the Sea” and Yuz Aleshkovsky’s “Nikolai Nikolaevich and Camouflage.”
Morgan G. Ames on the problem of letting Silicon Valley tech elites guide conversations on child development and schooling.
Andy Fitch talks with Heather Boushey about sustainable economic growth and her book "Unbound."
A personal story about fleeing the Iranian Revolution is also an indictment of Western immigration policy.
Matteo Cossu interviews David Senior about the work of art collector and dealer Steven Leiber.
Emmalea Russo reviews Cynthia Cruz’s “Disquieting: Essays on Silence.”
Laurel Berger revisits the events of October 17, 1961.
Jonathan Vatner reviews Elizabeth Strout’s sequel to “Olive Kitteridge” — “Olive, Again.”
LARB presents Elmaz Abinader’s introduction “Graffiti,” the inaugural anthology from artist collective POC United, published this week by Aunt Lute Books.
Brett Beasley considers "The Collected Works of Gerard Manley Hopkins: Sermons and Spiritual Writings," recently released by Oxford University Press.
"Has capitalism in fact been built, given all that has happened since the possibility of transition was opened up in 1992?"
Jenny Brown responds to Meredith Goldsmith, Anna Kryczka, and Catherine Liu’s “Anti-Labor Politics,” and the writers respond to her criticism.