Curse of the Contemporary
Grace Hadland looks at Natasha Stagg's new collection of essays, "Sleeveless."
Grace Hadland looks at Natasha Stagg's new collection of essays, "Sleeveless."
Joe Osmundson lyrically deploys circuit metaphors to describe how new anti-virals are re-wiring the gay dance circuit in post-AIDS New York.
Nick Burns wades into the “inhospitable wilderness” of António Lobo Antunes’s experimental new novel, "Until Stones Become Lighter Than Water."
In this monthly series, Scott Timberg interviews musicians on the literary work that has inspired and informed their music.
A best-selling cookbook author discusses the problems with fad diets and the importance of eating well.
Benedict Cosgrove finds parallels between Charles Dickens' (in)famous "manipulator of larcenous minions" and Donald Trump.
Acclaimed director Bong Joon Ho joins the Radio Hour to discuss class relations and his latest movie, the Palme D'Or winner "Parasite."
Hired to write stories alongside an AI writing bot, neuroscientist Patrick House reflects on how the bot can — and can’t — write the same story that he can.
Helen Stuhr-Rommereim on the Chekhovian stories of Maxim Osipov's "Rock, Paper, Scissors."
Ed Simon parses “Seven Types of Atheism” by John Gray.
Siobhan Brooks describes the anxiety and necessity of ride-sharing in the city.
For a novel that’s under 300 pages, Yoko Ogawa's "The Memory Police" is remarkably layered and rich without feeling cluttered.
On the limits of archetype and power of self-mythology in “March Sisters.”
Alex Weintraub reviews "Ad Astra."
Colin Marshall discusses the gamification of language-learning with Duolingo.
A prison is less a maze of walls than “a set of relationships,” argues filmmaker Brett Story in a follow-up book to an acclaimed film.