Hereditary Cultural Burdens: Steph Cha’s “Your House Will Pay”
Jervey Tervalon appreciates the ambition of “Your House Will Pay,” a novel by Steph Cha that reckons with the legacy of 1992.
Jervey Tervalon appreciates the ambition of “Your House Will Pay,” a novel by Steph Cha that reckons with the legacy of 1992.
Cinque Henderson looks at "Self-Portrait in Black and White" by Thomas Chatterton Williams.
Stephanie Malak talks with Cinelle Barnes about memory, living undocumented in the US, and her book "Malaya."
Evan Selinger argues that Ted Chiang’s fiction is more useful for understanding the dangers of AI than “Possible Minds: 25 Ways of Looking at AI.”
Don Franzen reviews Edward Watts's "Mortal Republic: How Rome Fell into Tyranny."
Matt Burriesci diagnoses the cultural ills of AWP.
Sebastian Stockman reviews Lewis Hyde’s “A Primer for Forgetting.”
Joseph Di Prisco discusses the stigmas and difficulties of being a mid-career author as well as the Simpson/Joyce Carol Oates Prize.
A one-volume history of the American West reads too much like a movie we’ve already seen.
Lulu Dewey wonders about real beauty.
A writer reflects on how American volunteerism in Iran changed his life.
Sands Hall discusses her history with Scientology and the inspiration for her song "Light a Candle."
Patrick McAleer reviews Stephen King's new novel, "The Institute."
Joseph S. O’Leary considers James W. Heisig's new book, "Of Gods and Minds."
Scott Bradfield on the pleasures and perils of the “Oz” series.
Elizabeth Wiet reviews Daniel Fish’s 2019 stage adaptation of Don DeLillo’s 1985 novel "White Noise" at NYU's Skirball Center for the Performing Arts.