The Shape of Life: On James Sallis’s “Sarah Jane”
Glenn Harper reviews “Sarah Jane” by James Sallis.
Glenn Harper reviews “Sarah Jane” by James Sallis.
Hilton Als discusses his debut play, The Lives of the Performers
Marta Figlerowicz considers "The Painted Bird," Václav Marhoul's adaptation of Jerzy Kosiński's infamous novel.
Avgi Saketopoulou explores the charged interconnections between racism and sexuality in Jeremy O. Harris’s “Slave Play.”
Alex Wermer-Colan interviews sci-fi legend Samuel R. Delany about queerness, history, literature, and identity as the author moves into his late career.
Andy Fitch talks with Ganesh Sitaraman about the legacy of neoliberalism on democracy.
Gina Frangello reviews Adrienne Brodeur’s memoir about her glamorous but flawed mother.
On the first anniversary of the Woolsey Fire that leveled parts of Malibu, a new book tells the victims’ stories.
Sara Black McCulloch speaks with writer, critic, and multimedia artist Masha Tupitsyn about her latest book, “Picture Cycle.”
Martin Shuster finds commonality between the latest Scorsese and Tarantino films, and what they say about American nostalgia.
Claire Schwartz considers “Hard Damage” by Aria Aber.
Bryan Karetnyk introduces his translation of “Extras,” a short story by Yuri Felsen, a Russian émigré author whose English-language debut is long overdue.
Krithika Varagur talks to Divya Dwivedi about the roots of Hindu nationalism, and whether a heterodox India can survive it.
Kaleem Hawa reviews three recent books on South African apartheid.
What James M. Cain’s classic noir novel has to teach us about the pathologies of parenting.
Azareen Van der Vliet Oloomi writes about isolation, demonization, and the effects of censorship as an Iranian-American.