Binge and Purge: The Rise of Extreme Film Criticism
Noah Gittell considers the growing phenomenon of “Extreme Film Criticism” in the wake of media conglomeration and the decline of long-form journalism.
Noah Gittell considers the growing phenomenon of “Extreme Film Criticism” in the wake of media conglomeration and the decline of long-form journalism.
Steve Lichtman reviews the week in culture and politics.
Another robot world is possible, one not built on hidden human labor and not dependent on damage to the soul
Erik Gleibermann on the emerging generation of LGBT Nigerian writers.
Darren Byler tells a story of the forced reeducation regime in the Uyghur population of China.
Hun Sen has hung on in Cambodia through a combination of shape-shifting, self-dealing, and luck.
Richard Eldridge reviews “Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses.”
Ryan Boyd reviews “The Missing Course” by David Gooblar.
Gerry Canavan reviews "Rusty Brown," the recently published collection of Chris Ware's comics.
Joseph Horowitz on Nicolas Nabokov, classical music, and the Cold War.
Kristina Marie Darling looks at the power of fragmentation in new poetry collections by Traci Brimhall and Rebecca Hazelton.
Vincent Haddad on the promise of Miles Morales.
Amanda Gunn interviews James Arthur about his new book, “The Suicide’s Son.”
"The King in Yellow: Annotated Edition” is the definitive edition of this legendary yet too little understood work.