That Wacky World of Federal Criminal Laws
Laurie L. Levenson reviews Mike Chase's "How to Become a Federal Criminal: An Illustrated Handbook for the Aspiring Offender."
Laurie L. Levenson reviews Mike Chase's "How to Become a Federal Criminal: An Illustrated Handbook for the Aspiring Offender."
Colin Marshall asks, "What if Westerners respect you more for speaking Korean than English?"
Lavelle Porter considers "In Search of Silence: The Journals of Samuel R. Delaney, Volume I, 1957–1969."
Andrea Penman-Lomeli reviews "Indebted: How Families Make College Work at Any Cost," a new book by Caitlin Zaloom.
Swagato Chakravorty on the rediscovery of Ritwik Ghatak’s films, and what it says about how Western cultural institutions frame the idea of world cinema.
Rebecca MacKinnon discusses how we might develop and deploy standards for fairness in artificial intelligence and algorithm-based applications.
Kate Klonick takes on misconceptions about what AI is and what it can be.
"Problems we’ve left unchecked and unnegotiated in our digital forums are now, thanks in part to AI, spilling over into our physical streets and plazas."
Jay Anderson interviews Alice Pung about race in Australia and her latest book “Close to Home.”
Giovanni Vimercati reviews “Ice,” the recently released novel by Sonallah Ibrahim in a translation by Margaret Litvin.
Reading Milan Kundera is much less like reading philosophy or theory than it is like watching a psychological chess master play himself.
LARB presents the February installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Juxtaposing "Get Out" and "Parasite" raises uneasy questions about how American audiences process racial injury versus economic injury.
Andy Fitch talks with Yuval Levin about the breakdown of institutions and how we’ve gone wrong.
Holly Connolly interviews director Zia Anger on “My First Film,” a film-theater hybrid performance on the nature of process, failure, and self-disclosure.
Gabino Iglesias interviews Wendy Heard about her new novel, “The Kill Club.”