
Against Ethnic Absolutism: The Hybrid Cinema of Med Hondo
Giovanni Vimercati reviews an unprecedented three-volume set on African filmmaker Med Hondo....
FILM
Creative unemployed and full-time wage slave, Giovanni Vimercati is also (ir)responsible for the failed attempt at multitudinal criticism (un)known as Celluloid Liberation Front. His writing, which is visible to the naked eye from outer space, has appeared in the Guardian, Variety, Cinema Scope, Sight & Sound, New Statesman, Huffington Post, Indiewire, The Independent, Mubi Notebook, La Furia Umana, Reverse Shot, MUTE, Film Comment, and other planets. He has an MA in Media Studies from the American University of Beirut, and he is currently a PhD student in the Film & Media Studies Department at the University of California, Santa Barbara.