Waiting for Barbie
Anne Anlin Cheng recalls her first, foreign Barbie experience....
Anne Anlin Cheng recalls her first, foreign Barbie experience....
“Passing” reminds us that the raced body, like race itself, is an enigma of visual experience....
The ending of “Mulan” reassures us that she goes on to become a “legend”; yet, are not such honorifics precisely society’s reward for one’s compliance?...
Juxtaposing "Get Out" and "Parasite" raises uneasy questions about how American audiences process racial injury versus economic injury....
With "Crazy Rich Asians," we remain in danger of what Toni Morrison calls “adjustment without improvement” in the American racial optic....
Anne Anlin Cheng on Lauren Greenfield’s new documentary "Generation Wealth."...
Anne Anlin Cheng on "Ghost in the Shell."...