The Girl and the Outlaw: Jordan Peele’s “Nope” and the End of the Alien
Paul Thompson explores the strangeness of the film industry in L.A. and its reckoning with racist histories and the natural world in Jordan Peele's "Nope."
Paul Thompson explores the strangeness of the film industry in L.A. and its reckoning with racist histories and the natural world in Jordan Peele's "Nope."
David Yoon’s "City of Orange" is a postapocalyptic novel about what happens when a father’s world collapses.
Andrew Koppelman is happy with “Liberalism and Its Discontents” by Francis Fukuyama.
Editors of “The LARB Quarterly,” Chloe Watlington and Michelle Chihara, join Jeff Weiss of “theLAnd” and Schessa Garbutt at this summer’s LITLIT Festival.
Elaine Margolin reviews Jill Bialosky’s new novel “The Deceptions.”
Annenberg School of Journalism graduate students and staff share their reflections on what makes Los Angeles home.
Renee Hudson considers “Akrílica,” a collection of poems by Juan Felipe Herrera.
Surf expert Michael Scott Moore braves Patrick Moser’s “Surf and Rescue: George Freeth and the Birth of California Beach Culture.”
Afghan author Homeira Qaderi on the sorry fate of literature under the Taliban regime.
Cory Oldweiler reviews Hungarian author Gábor Vida’s autofictional novel “Story of a Stammer,” translated by Jozefina Komporaly.
Yvonne Conza speaks with A. M. Homes about her new novel, “The Unfolding.”
Friends and colleagues recall the late novelist and poet Denis Johnson, who died in 2017.
Masiyaleti Mbewe on the rich range (and critical neglect) of millennial fiction in Africa.
Brad Evans speaks with Rafael Yuste, a professor of biological sciences and neuroscience at Columbia University.
Darrell Spencer considers death through the lenses of golf and Robert Altman’s “McCabe and Mrs. Miller.”