Itʼs Just Pourin Outta Me: On Jáchym Topol’s “A Sensitive Person”Cory Oldweiler reviews Alex Zucker’s English translation of Czech author Jáchym Topol’s novel “A Sensitive Person.”...CORY OLDWEILERFICTION
Persecution Mania: On Alisa Ganieva’s “Offended Sensibilities”Cory Oldweiler reviews Alisa Ganieva’s 2018 novel “Offended Sensibilities,” translated from the Russian by Carol Apollonio....CORY OLDWEILERAROUND THE WORLDFICTION
A Garden in This Wretched World: On László Krasznahorkai’s “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East”Cory Oldweiler reviews Ottilie Mulzet’s new translation of László Krasznahorkai’s “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East.”...CORY OLDWEILERAROUND THE WORLDFICTION
Sing On in the Face of Horror: On Liliana Corobca’s “The Censor’s Notebook”CORY OLDWEILERAROUND THE WORLDFICTION
The Great Transylvanian Novel? On Gábor Vida’s “Story of a Stammer”CORY OLDWEILERAROUND THE WORLDFICTIONMEMOIR & ESSAY
“I’m an Idiot. Please Kill Me”: On Markiyan Kamysh’s “Stalking the Atomic City: Life Among the Decadent and the Depraved of Chornobyl”CORY OLDWEILERMEMOIR & ESSAY
“The Thin Lash of Silence”: On Monika Herceg’s “Initial Coordinates”CORY OLDWEILERAROUND THE WORLDPOETRY
Cultivated Illusions: On Lea Ypi’s “Free: A Child and a Country at the End of History”CORY OLDWEILERMEMOIR & ESSAY
