Persecution Mania: On Alisa Ganieva’s “Offended Sensibilities”Cory Oldweiler reviews Alisa Ganieva’s 2018 novel “Offended Sensibilities,” translated from the Russian by Carol Apollonio....CORY OLDWEILERAROUND THE WORLDFICTION
A Garden in This Wretched World: On László Krasznahorkai’s “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East”Cory Oldweiler reviews Ottilie Mulzet’s new translation of László Krasznahorkai’s “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East.”...CORY OLDWEILERAROUND THE WORLDFICTION
Sing On in the Face of Horror: On Liliana Corobca’s “The Censor’s Notebook”Cory Oldweiler reviews Moldovan author Liliana Corobca’s novel “The Censor’s Notebook,” translated by Monica Cure....CORY OLDWEILERAROUND THE WORLDFICTION
The Great Transylvanian Novel? On Gábor Vida’s “Story of a Stammer”CORY OLDWEILERAROUND THE WORLDFICTIONMEMOIR & ESSAY
“I’m an Idiot. Please Kill Me”: On Markiyan Kamysh’s “Stalking the Atomic City: Life Among the Decadent and the Depraved of Chornobyl”CORY OLDWEILERMEMOIR & ESSAY
“The Thin Lash of Silence”: On Monika Herceg’s “Initial Coordinates”CORY OLDWEILERAROUND THE WORLDPOETRY
Cultivated Illusions: On Lea Ypi’s “Free: A Child and a Country at the End of History”CORY OLDWEILERMEMOIR & ESSAY
“A Home in the Neon Heat of Nature”: A New Biography of Czesław MiłoszCORY OLDWEILERBIOGRAPHY & AUTOBIOGRAPHY
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