We Invent the People We Love: On Lalla Romano’s “A Silence Shared”
Thea Hawlin reviews Lalla Romano’s novel “A Silence Shared,” translated by Brian Robert Moore.
Thea Hawlin reviews Lalla Romano’s novel “A Silence Shared,” translated by Brian Robert Moore.
Arielle Gordon reviews Cosey Fanni Tutti’s “Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe & Cosey Fanni Tutti.”
Anthony Curtis Adler reviews Andrea Wulf’s “Magnificent Rebels: The First Romantics and the Invention of the Self.”
Kathleen Rooney reviews Adam Zagajewski’s “True Life.”
Jack Skelley talks with Anahid Nersessian about her new book “Keats’s Odes: A Lover’s Discourse.”
Hugh Charles O’Connell reviews China Miéville’s “A Spectre, Haunting: On the Communist Manifesto.”
Medaya Ocher and Kate Wolf speak with Ann Goldstein, whose most recent translated work is “Forbidden Notebook” by Alba de Céspedes.
Rani Neutill discusses the euphoric affect of BTS for Gen-X women.
Cory Oldweiler reviews Alex Zucker’s English translation of Czech author Jáchym Topol’s novel “A Sensitive Person.”
Rox Samer reviews the documentary “Loving Highsmith” and highlights the trans resonances in Patricia Highsmith’s life and work.
Bill Thompson looks at “Profiles in Ignorance: How America’s Politicians Got Dumb and Dumber” by Andy Borowitz.
Elaine Elinson reviews Kerri K. Greenidge’s “The Grimkes: The Legacy of Slavery in an American Family.”
Taylor Lewandowski reviews “NDA: An Autofiction Anthology,” edited by Caitlin Forst.
Ben Beitler reviews Malcolm Harris’s “Palo Alto: A History of California, Capitalism, and the World.”
Grace Byron reviews Luke Dani Blue’s “Pretend It’s My Body.”