Dysphoria Blues: On Luke Dani Blue’s “Pretend It’s My Body”
Grace Byron reviews Luke Dani Blue’s “Pretend It’s My Body.”
Grace Byron reviews Luke Dani Blue’s “Pretend It’s My Body.”
Sarah Fensom reviews Stephanie LaCava’s “Based On, If Any.”
Eli Winter details the material and psychological quirks of touring as an independent musician.
Nile Green reviews Travis Zadeh‘s “Wonders and Rarities: The Marvelous Book That Traveled the World and Mapped the Cosmos.”
Brendan Riley reviews Volter Kilpi’s “Gulliver’s Voyage to Phantomimia: A Transcreation by Douglas Robinson” and “The Last Days of Maiju Lassila — A Memoir-Novel About the White Terror Following the Finnish Civil War by J. I. Vatanen: A Pseudotranslation by Douglas Robinson.”
Jeremy Tiang reviews Li Zi Shu’s “The Age of Goodbyes” and Cheow Thia Chan’s “Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature.”
Nathan Wainstein explores the aesthetic ambiguities of wonder in FromSoftware’s video game “Bloodborne” and H. P. Lovecraft’s story “The Haunter of the Dark.”
Maggie Millner joins Medaya Ocher and Kate Wolf to discuss her debut book, “Couplets.”
Robert Allen Papinchak reviews Haruki Murakami’s “Novelist as a Vocation,” translated by Philip Gabriel and Ted Goossen.
Jorge Cotte reviews HBO’s “The White Lotus.”
J. D. Connor asks why Netflix spent $450 million to acquire the “Glass Onion” franchise.
Luisita Lopez Torregrosa considers Dylan Riley’s “Microverses: Observations from a Shattered Present.”
Erdağ Göknar discusses Orhan Pamuk’s writing notebooks and how they illuminate his new novel “Nights of Plague.”
Greg Cwik reviews Kiyoshi Kurosawa’s film “Cure” on the occasion of its 25th anniversary last year.
Heather Treseler reviews Maggie Millner’s “Couplets: A Love Story.”
Ana Cecilia Alvarez reviews Maggie Millner’s “Couplets: A Love Story.”