A Style So Clear It Could Wash a Face: On Pleiades Press’s “Bert Meyers”
Shoshana Olidort reviews Pleiades Press’s “Bert Meyers: On the Life and Work of an American Master,” edited by Dana Levin and Adele Williams.
Shoshana Olidort reviews Pleiades Press’s “Bert Meyers: On the Life and Work of an American Master,” edited by Dana Levin and Adele Williams.
In this special edition LARB Book Club episode of the Radio Hour, Editor-in-Chief Michelle Chihara talks with Koritha Mitchell, editor of Harriet Jacobs’s “Incidents in the Life of a Slave Girl,” and Michelle Lanier, professor and public historian in North Carolina.
Quyen Pham talks with Bojan Louis about his award-winning debut story collection “Sinking Bell."
Philip Luke Johnson reviews Fernanda Melchor’s “This Is Not Miami.”
Jonah Siegel explores the complicated implications of repatriating art.
William Jones considers Samuel Freedman’s new biography of Hubert Humphrey, “Into the Bright Sunshine: Young Hubert Humphrey and the Fight for Civil Rights.”
Michael Tate reviews Croatian author Ivica Prtenjača’s newly translated novel “Let’s Go Home, Son."
Sam V.H. Reese reviews Jonathan Leal’s “Dreams in Double-Time: On Race, Freedom, and Bebop."
Cory Oldweiler reviews the new translation of Dutch author Gerda Blees’s debut novel “We Are Light.”
Eleanor J. Bader speaks with Barbara Winslow about her new book “Revolutionary Feminists: The Women’s Liberation Movement in Seattle.”
George Makari speaks with novelist Percival Everett.
Sasha Vasilyuk speaks with Los Angeles–based author Ruth Madievsky about her debut novel, “All-Night Pharmacy.”
Asher Luberto examines Celine Song’s new film “Past Lives.”
Carol Roh Spaulding reviews Marie Myung-Ok Lee's "Hurt You."
In a preview of LARB Quarterly no. 38: Earth, Ali Bektaş examines one of the state’s most contentious and consequential industries.
Adedayo Agarau reviews “Two Open Doors in a Field” by Sophie Klahr.