Through the Wreckage: On Joe Molloy’s “Acid Detroit”
Alexander Billet reviews Joe Molloy’s “Acid Detroit: A Psychedelic Story of Motor City Music.”
Alexander Billet reviews Joe Molloy’s “Acid Detroit: A Psychedelic Story of Motor City Music.”
Katherine Robinson reviews Mark Wormald’s “The Catch: Fishing for Ted Hughes.”
Andrew Leland joins Kate Wolf and Medaya Ocher to talk about his first book, “The Country of the Blind: A Memoir at the End of Sight.”
Kate Durbin speaks with author Amanda Montei about her new book “Touched Out: Motherhood, Misogyny, Consent, and Control.”
Lori Marso explores feeling plastic in Greta Gerwig’s “Barbie” and the works of Chantal Akerman.
Taryne Jade Taylor reviews E. G. Condé’s “Sordidez.”
Harry Waksberg reviews a new book from Fantagraphics about television pioneer Ernie Kovacs, “Ernie in Kovacsland.”
The engine of the right-wing movement is a narrative about social disgrace, according to Anthony Nadler and Doron Taussig.
Elizabeth Metzger interviews anonymous Instagram poetry curator @poetryisnotaluxury.
Victoria Baena reviews Clare Carlisle’s “The Marriage Question: George Eliot’s Double Life.”
Nina Herzog explores the exhibition of Iiu Susiraja’s photographs at MoMA PS1 in Queens, New York.
Anna Katharina Schaffner reviews Jennifer Banks’s “Natality: Toward a Philosophy of Birth.”
Clare Carlisle analyzes the theme of marriage in the life and work of two great 19th-century thinkers and writers, George Eliot and Søren Kierkegaard.
Stephen Rohde discusses Samantha Barbas’s new book on free speech and civil rights, “Actual Malice: Civil Rights and Freedom of the Press in ’New York Times v. Sullivan.’”
Christian B. Miller reviews Howard J. Curzer’s “Virtue Ethics for the Real World: Improving Character Without Idealization.”
Grace Linden reviews Ann Patchett’s “Tom Lake.”