Impossible Choreographies: On the 35th Bienal de São Paulo
Oluremi C. Onabanjo describes the wealth of art exhibited at the 35th Bienal de São Paulo.
Oluremi C. Onabanjo describes the wealth of art exhibited at the 35th Bienal de São Paulo.
Johann Neem reviews Jessi Streib’s new book, “The Accidental Equalizer: How Luck Determines Pay After College.”
Yangyang Cheng reviews Joshua Kurlantzick’s “Beijing’s Global Media Offensive: China’s Uneven Campaign to Influence Asia and the World” and Michael Berry’s “Jia Zhangke on Jia Zhangke.”
Eric Newman and Medaya Ocher are joined by award-winning director Nicole Newnham to discuss her latest film, “The Disappearance of Shere Hite.”
Cory Oldweiler reviews the new translation of Czech author Hana Andronikova’s final novel “Heaven Has No Ground.”
Mitchell Cohen explores the problematic afterlife of a foundational text of Western Marxism, .“History and Class Consciousness” by Georg Lukács.
Siena Foster-Soltis joins the audience, votes, and—expectedly—witnesses the victory of Andrew Lloyd Webber.
Slava Greenberg looks at the legacy of Netflix’s series “Sex Education” in light of its finale
If you're gonna build a career on proximity to coolness, maybe start by ascertaining whether you are—in fact—cool?
Katherine Turk reviews Jenni Nuttall’s “Mother Tongue: The Surprising History of Women’s Words.”
Banu Subramaniam gets whiplash when she reads Richard O. Prum’s “Performance All the Way Down: Genes, Development, and Sexual Difference.” For a book engaging with queer theory, it is decidedly unqueer, she writes.
Jack Skelley stumbles right up to the razor’s edge of Los Angeles’s alt-lit scene, and perhaps tumbles into the ether.
Kevin Koczwara chats with Sammy Harkham about his grindhouse-inspired new graphic novel “Blood of the Virgin,” the burdens of balancing family life with art, and making meaning through storytelling while remaining unpredictable.
Kevin Koczwara reviews Steven Millhauser’s new collection of stories, “Disruptions.”
Tom Zoellner talks to Lydia Otero about her new account of a young adulthood in Los Angeles, “L.A. Interchanges: A Brown & Queer Archival Memoir”
Melissa Chan writes about the performance of Wagner operas in China.