Katherine Anne Porter’s Pandemic
Turning to Katherine Anne Porter's "Pale Horse, Pale Rider" to make sense of COVID-19.
Turning to Katherine Anne Porter's "Pale Horse, Pale Rider" to make sense of COVID-19.
Rebecca Harrison examines the queer credentials of “The Empire Strikes Back” on its 40th anniversary.
Alex Langstaff interviews an international group of leading historians of public health, epidemics, and disaster science.
The author of a cultural history of Western America throws a lasso around aspects of a review.
Greg Youmans reflects on the work of Kalup Linzy and Tara Mateik.
On the “Glory of Spain” exhibit at the Museum of Fine Arts Houston.
Robert Zaretsky moves through Samuel Beckett’s “Endgame” as the pandemic takes its course.
Parul Kapur Hinzen reports from the world’s largest literary festival.
Annie Berke on Hulu's adaptation of High Fidelity as a Millennial romantic comedy of media conglomeration and tech utopianism.
Jodi Dean considers what comes after capitalism.
A PEN America Emerging Voices Fellow discusses how today’s young adult fiction handles ethnic diversity.
The French director’s brilliant 2019 film powerfully captures the paradoxes of female creativity and agency.
A gallery of portraits of a Sephardic Jewish family in the 20th century.
What Veblen can teach us about managing the economy in the era of COVID-19.
What Sam See is looking for in the art he loves is something other than escape. He is seeking forms of shelter.
For my work on Sidney Howard, I collected shards of meaning, but how to look at these discoveries was informed by Sam See.