Annie Berke is the film editor of the Los Angeles Review of Books and is the author of Their Own Best Creations: Feminism, Authorship, and Postwar Television, under contract at the University of California Press. She has written on film and television for Camera Obscura: Feminism, Culture, and Media Studies, FLOW: A Critical Forum on Television and Media Culture, and Feminist Media Histories. Annie earned her PhD in Film & Media Studies and American Studies at Yale University. She lives in the DC-Metro area.
CONTRIBUTOR ARTICLES
In a Lonely Place: On “I’m Thinking of Ending Things” and “Love, Guaranteed”
Annie Berke writes about how two recent Netflix original films thematize loneliness and our romance with screens under quarantine....
Love the One You're With: "High Fidelity" Goes Corporate
Annie Berke on Hulu's adaptation of High Fidelity as a Millennial romantic comedy of media conglomeration and tech utopianism....
In the Room Where She Happens: On “Late Night”
Annie Berke examines “Late Night” in the contexts of writer-star Mindy Kaling’s public persona and the history of the woman in the writers’ room....
