#Content: Expanding Entertainment, Collapsing Criticism
Matt Hartman discusses the future of video journalism and the increase in entertainment coverage and decrease in critical judgment.
Matt Hartman discusses the future of video journalism and the increase in entertainment coverage and decrease in critical judgment.
Ellen Wayland-Smith examines her ancestors' history in the Oneida Community, a 19th-century religious commune.
Glyn Salton-Cox on Ben Wheatley and Amy Jump's adaptation of J. G. Ballard's "High-Rise".
On love and Joseph Conrad’s under-read classic, “Victory”.
What can "The Man Without Qualities" teach us about Donald Trump?
Stephen Rohde’s reflection on his career as an LA civil rights lawyer, particularly regarding the First Amendment.
So far, Chris Kraus’s new position in the mainstream orbit of Jill Soloway hasn't produced an assessment of the Jewish questions that pervade Kraus’s books.
Kristin Surak on the 7th Global Forum of the UN Alliance of Civilizations and the 1920 Congress of the Peoples of the East (both held in Baku).
Victoria Dailey on The Hammer Biennial: "Made in L.A."
Annie Buckley discusses the Hammer Museum’s third iteration of the “Made in L.A.” biennial.
As Superior Viaduct releases the soundtrack of "La Jetée" on vinyl, Matthew H. Evans reflects on Chris Marker's extraordinary film.
What would Denis Diderot think of a campus protest?
Heidi Durrow, Aaron Samuels, and Tehran Von Ghasri discuss whether having a biracial or mixed identity can give a vantage of both privilege and oppression.
Swedish novelists Liza Marklund, Camilla Läckberg, and Helene Tursten craft strong female investigators who are not in service to male fantasies
What the Pulse shooting tells us about violent masculinity and queer politics in the Arab World.
Lily Gurton-Wachter surveys the literature of pregnancy and new motherhood, from Charlotte Perkins Gilman to Rivka Galchen.