The Discovered Country: “Star Trek Beyond”
“Star Trek Beyond” is fine. It’s mostly enjoyable … It’s "Star Trek", neither at its best nor its worst, and I like "Star Trek" even at its very worst.
“Star Trek Beyond” is fine. It’s mostly enjoyable … It’s "Star Trek", neither at its best nor its worst, and I like "Star Trek" even at its very worst.
Ned Stuckey-French pitches John D’Agata.
Meghan Lewit on the purpose of nostalgia in today's TV.
Mike Chasar provides insight on the connection between writers and propaganda during World War II.
Susan Gillman on Gary Ross's "Free State of Jones" and the legacy of Newton Knight.
In Berlin, contact with the ghosts of the past is a normal and ever-present feature of daily life.
Who should Hollywood cast to play Rumi? One hint: Not Leonardo DiCaprio.
The author of the "Rent" book on how Lin-Manuel Miranda turned theater and history upside down, the worth of writing, and the Hamilton in her blood.
A poem by Juan Felipe Herrera in memorium for the officers killed in Baton Rouge
Are we in the Postcritical Age?
Rachel Adams addresses the publishing industry and new media platforms, which allow those affected by illnesses to document their experiences differently.
An essay by Benjamin Aldes Wurgaft on the “public intellectual,” with particular attention to Mark Greif, Corey Robin, Russell Jacoby, and Hannah Arendt.
A survey of recent collections of translated premodern Chinese poetry shows a hunger for new ways of appreciating China, which could change American poetry.
How is the production of noise a practice of religion — and of race?
A proposal for a new paradigm: the Nomadic Humanities.
It’s time to read Carl Sandburg again.