The New Primitives
Primitivism is back, not that it ever left. Ben Etherington on the historical and contemporary notions of primitivism.
Primitivism is back, not that it ever left. Ben Etherington on the historical and contemporary notions of primitivism.
On Hong Sang-soo's "The Day After" and the filmmaker's place in slow cinema.
How the humanities can save us.
Kathelin Gray tells the strange tale of William S. Burroughs and the Biosphere.
Mikaella Clements goes to Crema, Italy, the setting of Luca Guadagnino’s lush film adaptation of André Aciman’s “Call Me by Your Name.”
When the music of Vivaldi and Mozart are used to repel the homeless from sidewalks and Burger Kings, does it still glorify the dignity of humanity?
For DearTV, Jane Hu and Aaron Bady talk joke-butts, Orientalism, cryptocurrency, and the season finale of Silicon Valley.
Dispatches from the unquiet massacre zones of Sri Lanka and Rwanda.
Amy Brady of "Guernica" magazine presents the first conversation in the series “The Art and Activism of the Anthropocene.”
Jacob Mikanowski traces the silver thread of Islam in the tapestry of Eastern European culture.
In “Men and Apparitions,” she seesaws between an analysis of physical pictures and an examination of the ways we picture ourselves and others.
Yuval Sharon on the idea of genius.
"My great-grandfather often was quiet and rarely spoke, if at all, about what he endured. My knowledge of what happened is limited — impossible to verify."
Toby Miller reflects on his unfortunate experiences in British academia.
In “Isle of Dogs,” Anderson seems to ask what forms, what styles, are commensurate to rage.
Maya Vinokour speaks to Eugene Vodolozakin about his latest novel, “The Aviator,” and to his longtime translator, Lisa Hayden.