The Art and Activism of the Anthropocene, Part II: A Conversation with Jeff VanderMeer, Zaria Forman, and Gleb Raygorodetsky
Amy Brady of “Guernica” magazine presents the second conversation in the series “The Art and Activism of the Anthropocene.”
Amy Brady of “Guernica” magazine presents the second conversation in the series “The Art and Activism of the Anthropocene.”
Carl Freedman examines the cultural power dynamics that link Nixon and Trump.
“Decluttering here,” and she pointed to her head.
Twenty-seven years after its publication, Patrick Nagatani’s “Nuclear Enchantment” still sees the lurking violence of the American nuclear project.
For Dear Television, Phil Maciak considers the dad rock series finale of FX's The Americans.
Art 1, Child 0.
How did “Underground” become a test case for black-cast quality TV? And how does its failure show us the way the industry associates blackness with risk?
"Dirty Computer" finds Monáe not only inserting herself into traditions that can’t fully contain her but resculpting them in her likeness.
On the exclusion of Armenian artists from the Glendale Biennial.
Why are we so fascinated right now with technological utopias predicated on the rise of artificial intelligence?
The duality that Sylvia Plath wrote about in her thesis provides the basis for the personality of Esther, the protagonist of Plath’s “The Bell Jar.”
This is the third installment in a bi-monthly column that will explore some of the different cultural facets of popular feminism.