Where They Burn Books: A Writer Pays the Price for Honesty
The Azerbaijani writer Akram Aylisli reflects on his life under de facto house arrest.
The Azerbaijani writer Akram Aylisli reflects on his life under de facto house arrest.
How the ’60s counterculture gave birth to personal computers and the vast tech industry that builds and sells them.
Angela Shpolberg provides a blow-by-blow account of the conflict between Upton Sinclair, Sergei Eisenstein, H. W. L. Dana, and Stalin.
"The film is not just about violence, the film is itself violent and the audience suffers this directly." Francey Russell on "High Life."
Summer Kim Lee on representation, attachment, and being too close to Sandra Oh, from Grey's Anatomy to Killing Eve.
A British filmmaker and a Somali novelist explore migration, radicalization, and terror.
Joy Lanzendorfer considers the poetry and history of Angel Island.
Martha Cooley searches for the figure of the missing girl in contemporary fiction.
Looking back at YA novels of the home front on the centennial of the World War I Armistice.
Meredith Maran takes a look at Jill Soloway’s new memoir, “She Wants It,” which delves into the noted director and writer’s political awakening.
Dan Wakefield recalls his favorite year, spent with Eve Babitz in her city.
LARB presents an excerpt from “As a City on a Hill: The Story of America’s Most Famous Lay Sermon” by Daniel T. Rodgers.
Kellye Garrett interviews Walter Mosley, Barbara Neely, Gar Anthony Haywood, Kyra Davis, and Rachel Howzell Hall.
Sarah LaBrie wonders what a fiction that focused on our place in the world, rather than on our desire to flee from it, might look like.
Benjamin Aldes Wurgaft remembers Jonathan Gold, who helped him fall in love with Los Angeles.
Declan Ryan appreciates the “emotional endurance and arrested constancy” of Hugo Williams, whose first book of poems appeared in 1965.