Untranslatable Voices: Vickie Vértiz Writes Los Ángeles in “Palm Frond with Its Throat Cut”
Isabel Gómez on Vickie Vértiz’s “Palm Frond with Its Throat Cut” and the radical work of translinguality as decolonial practice.
Isabel Gómez on Vickie Vértiz’s “Palm Frond with Its Throat Cut” and the radical work of translinguality as decolonial practice.
What can the runaway popularity of "It," "Get Out," and "American Horror Story" tell us about America in 2017?
Natalia Winkelman reviews "The Bold Type," which was recently renewed for its second season on Freeform.
How could any of them have imagined that a border would divide them? How could anyone have predicted the horror that is now Korea, of being hacked in two?
A review of Michael Ruse’s book on the religion of scientism.
The precarious life of Afghan refugees in Turkey.
Carie Schneider on Kesha’s show-stealing performance of “Praying" at the Grammy's.
The Grolier Poetry Book Shop in Cambridge, MA is the newest addition to LARB's Reckless Reader program.
Nicole Panter, partner of the late William Dailey, remembers his years as a bookseller and more.
Jim Ruland interviews Tod Goldberg about his new novel, “Gangster Nation.”
Morgan Woolsey on Darryl Bullock’s “David Bowie Made Me Gay” and the difficulties identifying exactly what “gay music” is.
Eileen Battersby is ravished by “Belladonna,” a new novel by Croatian writer Daša Drndić, translated by Celia Hawkesworth.
Annette Gordon-Reed's contribution to the Provocations series, in conjunction with UCI’s “Who Do We Think We Are” conference.
Julian Cosma reviews "Modernism on the Ganges," an exhibition on Raghubir Singh at the Met Breuer.
Linda Nochlin, best known for her essay “Why Have There Been No Great Women Artists,” died last October. She left a monumental legacy in art criticism.
What might NBC's sitcom "The Good Place" tell us about early Christian theology and the era of mass incarceration?