Paladin of Literary Agon: A Conversation with Harold Bloom
On the daemonic powers of memory and the blessings of great literature.
On the daemonic powers of memory and the blessings of great literature.
Amy M. Alvarez interviews author and professor Greg Bottoms on growing up in the South and his latest book, "Lowest White Boy."
Ariel Saramandi chronicles the rise of the Mauritian alt-right.
Amelia Glaser recommends “What We Live For, What We Die For: Selected Poems” by Serhiy Zhadan, translated from Ukrainian by Virlana Tkacz and Wanda Phipps.
Paul Morton follows the line through Saul Steinberg's "The Labyrinth," recently rereleased by New York Review Books.
Piper French reflects on the Netflix docu-series "The Disappearance of Madeleine McCann," and the stories of missing children that get less attention.
“Genesis 2.0” is a panoramic master class in the strange unmodernity of modern science.
Lisa See's new novel shows how hatred is manufactured, and how fear can turn otherwise compassionate people against each other.
Werner Herzog talks about his new documentary "Meeting Gorbachev," co-directed with André Singer.
In this monthly series, Scott Timberg interviews musicians on the literary work that has inspired and informed their music.
A new history of Reconstruction traces the roots of American “respectability” politics, and reveals an argument conducted largely through artwork.
"They did the work by hand, including, legendarily, lowering each other down in baskets by ropes to place explosives as they cut through the Sierra Nevada."
Andy Fitch talks with Adam Frank about life in the universe, the (non)uniqueness of environmental change, and his recent book "Light of the Stars."
Ellen Wayland-Smith reviews Briallen Hopper’s new essay collection, “Hard to Love.”
Lewis Page interviews Carson Vaughan about “Zoo Nebraska,” which traces the rise and fall of a roadside zoo in Royal, Nebraska.
Michael J. Barany reviews "Infinite Powers: How Calculus Reveals the Secrets of the Universe" by Steven Strogatz.