Torn Like a Veil Before Me: On Elena Chizhova’s “Little Zinnobers”
Yelena Furman studies “Little Zinnobers,” a novel by Elena Chizhova, translated from Russian by Carol Ermakova.
Yelena Furman studies “Little Zinnobers,” a novel by Elena Chizhova, translated from Russian by Carol Ermakova.
Aziz Huq reviews two new books about populism from John B. Judis and Barry Eichengreen.
Jim Downs commemorates the 50th anniversary of the Stonewall Riots with a recovery of LGBT figures of the past.
Alexis Bass talks about her new YA mystery, “Happily and Madly.”
William Flesch reviews "Cultural Evolution and its Discontents: Cognitive Overload, Parasitic Cultures, and the Humanistic Cure."
Authors Erica Jong and Susan Choi join LARB for our third and final installment from the 2019 Los Angeles Times Festival of Books on USC Campus.
Marat Grinberg celebrates the centennial of the birth of Boris Slutsky, “arguably the most misunderstood and idiosyncratic of 20th-century poets.”
Helen Mackreath considers “What You Have Heard Is True: A Memoir of Witness and Resistance” by Carolyn Forché.
Andy Fitch interviews Julio César Morales on his art about the US-Mexico border.
A newly translated novel from Argentina explores visual art, social class, and the bonds of family.
Chris Dombrowski’s new poetry collection, “Ragged Anthem,” is a profound cri de coeur about a country, a rural way of life, and a man in trouble.
Madhav Khosla reviews an exquisite memoir of transience and loss.
Abigail DeWitt remembers civilian losses overshadowed by heroic wartime feats.
Keetje Kuipers's "All Its Charms" is laced with both hopefulness and the prickling sting of thwarted desire.
Two new books about the complex afterlives of human bones.
This year’s prestigious Venice Biennale’s centerpiece exhibition, its 58th, has been curated by Ralph Rugoff, an American art critic who became director of London’s Hayward Gallery.