The Customer Is Wrong: The Commodity and the Work of Art
Adam Theron-Lee Rensch reviews Nicholas Brown’s “Autonomy: The Social Ontology of Art under Capitalism.”
Adam Theron-Lee Rensch reviews Nicholas Brown’s “Autonomy: The Social Ontology of Art under Capitalism.”
“We cannot reshape cities to reduce their carbon footprint without attending to our existing patterns of inequity and vulnerability to displacement.”
John Rieder reviews "New Suns: Original Speculative Fiction by People of Color," edited by Nisi Shawl.
David Bowman’s posthumously published magnum opus is a sprawling roman à clef about midcentury America.
“A world without darkness is unthinkable.” Hiromi Kawakami's short story "Grapes" will appear in LARB's print Quarterly Journal, No. 23: Imitation.
Anthropologist, author, and filmmaker Diane Tober explores what it means to be human in the biotech age.
Robert Wood talks with Bengali poet and translator Sampurna Chattarji about multilingualism and collaboration.
Steve Lichtman reviews the week in politics and culture.
Robert Allen Papinchak reviews Binnie Kirshenbaum's new novel, "Rabbits for Food."
Roy Scranton reviews two new books by Bill McKibben and David Wallace-Wells, examining why they don't go nearly far enough.
Brad Evans speaks with Lewis R. Gordon, author of “What Fanon Said.” A conversation in Brad Evans’s "Histories of Violence" series.
Apoorva Tadepalli looks at the benefits of an urbanism that encompasses all age groups.
In the Occult Issue of our Print Quarterly Journal, Anna Merlan muses on the contemporary form of the age-old fear known as "salvation anxiety."
Human rights were once seen as full of promise. Now they’re seen by many as a troubling neoliberal project.
Emily Sernaker considers “Little Boy” by Lawrence Ferlinghetti and his 100th birthday.
"'Parasite' visualizes more explicitly the idea that the richer Koreans become, they more they turn into grotesque parodies of Westerners."