Literature in a Time of Collusion: A Conversation Between Jennifer Wilson, Hilah Kohen, Julia Phillips, and Fiona Bell
Jennifer Wilson, Hilah Kohen, Julia Phillips, and Fiona Bell discuss new approaches to writing about Russia.
Jennifer Wilson, Hilah Kohen, Julia Phillips, and Fiona Bell discuss new approaches to writing about Russia.
Does communism really mean a world where nobody works? On Aaron Bastani’s “Fully Automated Luxury Communism.”
Benjamin Cunningham interviews Carlos Zanón about his Carvalho revival.
Andy Fitch presents questions he posed to Gerald A. Press about polyphony and voice in Plato's dialogues.
Erica Ruth Neubauer interviews Tim Hennessy about “Milwaukee Noir.”
Josh Cook reviews Jared Yates Sexton's new book, "The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making."
Brad Tyer reviews two new books about the troubles that ail American men.
Ashley Rindsberg writes on cultural backlash to Lori Loughlin and keeping a consistent sense of justice.
Michael Valinksy interviews queer historian Matthew Riemer about his new labor of love, “We Are Everywhere,” co-written with Leighton Brown.
Marion Turner's "Chaucer: A European Life" depicts the poet’s life in vivid detail, yet it tries too hard to accommodate Chaucer to our own century.
Dubravka Ugrešić reflects on today’s Europe and its crises.
Alan Kennedy reviews memory and impermanence in Pico Iyer’s recent "Autumn Light."
"Tears of the Trufflepig" is a narcocorrido for the Island of Dr. Moreau. It’s Roberto Bolaño and Gloria Anzaldúa dropping acid and staring into the sun.
This week on Dear Television, Phil Maciak asks why the third episode of the second season of Big Little Lies won't follow the money.
India Mandelkern on the stories L.A. cookbooks tell in Aleksandra Crapanzano’s "EAT. COOK. L.A." and Elisa Callow’s "The Urban Forager."
Lori Brister appreciates Ayşegül Savaş’s “Walking on the Ceiling,” a lyrical debut novel “heavily marked by grief.”