Wherever You Go, There You Are: Finding and Losing Oneself in “Invisible Planets”
Virginia L. Conn visits "Invisible Planets," a collection of Chinese SF stories and criticism edited and translated by Ken Liu.
Virginia L. Conn visits "Invisible Planets," a collection of Chinese SF stories and criticism edited and translated by Ken Liu.
M. G. Lord recalls the US Moon landing through Piers Bizony’s “The NASA Archives: 60 Years in Space.”
Reading Senator Tom Cotton's "Sacred Duty" against the grain, we can begin to come to terms with the erotics of American militarism.
Sam Sackeroff reviews the recent Joan Mitchell exhibit at the David Swirner Gallery in New York City.
Frederik Byrn Køhlert reviews two new collections from Ariel Schrag and Julie Doucet.
Sarah Cozort and Christine Guaragno discuss “Brute” with Emily Skaja.
Steve Almond’s ambivalent love letter to John Williams’s novel “Stoner.”
Andy Fitch speaks with Joy-Ann Reid about contextualizing modern racism, the media's missteps in covering Trump, and her book "The Man Who Sold America."
Three recent texts recast the social roles of mothers and the psychology of motherhood.
Cornel Bonca reviews The National’s new album and the Mike Mills movie based on it.
Elizabeth Warren’s husband, the Harvard Law Professor Bruce Mann, thus far in the shadows, illuminates his wife’s thinking through his writing.
"Another Country" does not celebrate interracial love; it suggests only its fragile possibility, showing a racial America stripped bare.
Stephanie Sy-Quia reviews Mithu Sanyal’s history-crossing account of violence against women in “Rape: From Lucretia to #MeToo.”
Maggie Hennefeld and Nicholas Baer on our unwatchable era.
Helena Duncan immerses herself in “Three Women” by Lisa Taddeo, a report on the state of women’s sexual desire in America.