The Violence Before Pride: On James Polchin’s “Indecent Advances”
Michael Nava looks at James Polchin’s "Indecent Advances," a queer history drawn from the annals of the early 20th-century criminal justice system.
Michael Nava looks at James Polchin’s "Indecent Advances," a queer history drawn from the annals of the early 20th-century criminal justice system.
Ben Railton reviews Ed Simon's recent essay collection, "America and Other Fictions: On Radical Faith and Post-Religion."
Aaron Shulman shares his love of the the 1976 Spanish film "El Desencanto" and an upcoming screening at Now Instant Image Hall in Highland Park.
Jessica Riskin, Amit Yahav, and Christina Lupton teach us that we use time and reading to make sense of ourselves to ourselves and others.
E. M. Tran reviews Madeline ffitch’s debut novel, “Stay and Fight.”
Alexandra Milsom reviews Suzanne Fagence Cooper’s “To See Clearly: Why Ruskin Matters.”
Ruth Ebenstein finds unexpected commonality across the Israel-Gaza divide.
What our financial saviors have failed to grasp about the Great Recession.
An exhibit of apartheid-era photographs by David Goldblatt presents them without adequate context and loses a huge opportunity.
Fran Ross’s mind was shrewd and skewering, and perhaps her writings will never sit easy among those who look for programmatic answers.
Niall Murphy discusses the murder of journalist Jamal Khashoggi and the panoptic effects of state surveillance.
Jack Halberstam on the next big chapter in queer theory.
Yugank Goyal reviews a massive new biography of Gandhi.
Did Germany really pay for the Holocaust? Samuel Clowes Huneke reviews "Reckonings: Legacies of Nazi Persecution and the Quest for Justice."
Colin Marshall assesses just what's so great about Seoul.
“Broken Stars” gives voice to an eclectic group, serving as a who’s who of SF authors, critics, and other anchors in China’s burgeoning SF culture industry.