Faux-Naturel: On Self-Image, Progressivism, and the Schema of “Naturalness”
Emma Baker defines the insidious trend of "naturalness rhetoric" in media.
Emma Baker defines the insidious trend of "naturalness rhetoric" in media.
Alex Dueben talks to Paul Karasik about teaching, Art Spiegelman, Martha's Vineyard, and his latest book, "How to Read Nancy."
“The City in the Middle of the Night” is both a sprawling epic and an urgent exploration of the political exigencies of the Anthropocene.
Samuel Loncar reviews D. W. Pasulka's new book, "American Cosmic: UFOs, Religion, Technology."
Stephen Rohde looks at what was asked and what could have been asked at Special Counsel Robert Mueller's July 24, 2019 testimony to Congress.
Georg Leidenberger considers the legacy of the Bauhaus school on its centenary.
Patrick Howell interviews author Quincy Troupe about Harlem, growing up in St. Louis, and what's next.
In this monthly series, Scott Timberg interviews musicians on the literary work that has inspired and informed their music.
Rachel Feder interviews Sarah Knott about her new book, "Mother Is a Verb: An Unconventional History."
Andy Fitch talks with Daniel Kurtz-Phelan about the legacy of US foreign policy in China and his recent book "The China Mission."
David C. Brock considers two recent books about largely unseen workforce moderating the tech giants.
A conversation in Elysium — or, rather, the West Village — with the late Oliver Sacks.
Rachel Elizabeth Jones looks at the anthropological issues raised in Ari Aster's daylight horror "Midsommar."
Adam Sachs interviews poet, critic, and translator Michael Hofmann about his father’s influence on his writing.
Michael Nava looks at James Polchin’s "Indecent Advances," a queer history drawn from the annals of the early 20th-century criminal justice system.