Fact-Checking Help from Readers: A Conversation with Ann Patchett on “The Dutch House”
Sarah Boon talks to writer Ann Patchett about her latest novel, "The Dutch House," and getting help from readers.
Sarah Boon talks to writer Ann Patchett about her latest novel, "The Dutch House," and getting help from readers.
Jake Fuchs relishes the grim wit of “Last Pages” by Oscar Mandel while pondering whether its author is "essentially cheerful."
Louis Betty reacts to “Serotonin” by Michel Houellebecq, translated from the French by Shaun Whiteside.
Rebecca Chace reviews Edgar Oliver's latest one-man show "New York Trilogy" at the Axis Theatre.
The work of a major Latin American social theorist is finally available in English translation.
LARB presents an essay by Isaac Bashevis Singer, translated from the Yiddish by David Stromberg.
David Stromberg considers the long-neglected critical writings of Isaac Bashevis Singer.
Rebecca Harrison examines just what makes "The Lighthouse" so horrifying.
Ebrahim Moosa reviews Jack Miles's "God in the Qur’an."
Lauren Goldenberg savors “Black Sea: Dispatches and Recipes, Through Darkness and Light” by Caroline Eden.
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
On “Inside Killjoy’s Kastle,” a look at a lesbian haunted house art project as well as the anti-trans clouds that haunt stereotypes about lesbian identity.
Will Brewbaker wades into “The River Twice” by Kathleen Graber.
Paul Morton reviews "Cons De Fée: The Erotic Art of Wallace Wood," out now from Fantagraphics.
Sara Selevitch takes of tour of Los Angeles' signs.
The closure of a Guatemalan anti-corruption office makes their government look bad, and the United States even worse.