Partly Truth, Partly Fiction: 2019 Cinema Revisits the Manson Family
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.
Chloe Lizotte is a film critic, programmer, and screenwriter based in New York. Her writing has been published by Film Comment, Reverse Shot, Screen Slate, and Guernica. You can follow her on Twitter at @celizotte.
Chloe Lizotte considers the Manson depictions from the summer of 2019, asking what contradictions of representation and historical memory they share.