The pandemic has highlighted the broken relationship between artists and the institutions that support them.
We Are Monsters: On “Inside Killjoy’s Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings”
On “Inside Killjoy’s Kastle,” a look at a lesbian haunted house art project as well as the anti-trans clouds that haunt stereotypes about lesbian...
Alexis Clements reviews Esther Newton’s “My Butch Career,” a memoir of the early life and career of an important pioneer in the field of LGBTQ...
Alexis Clements on how the rigged game of capital exploits artists.
On the struggle to define artistic success in an age where the odds and the economics are stacked against you.