Heresies of “Dune”
Are there any liberals on Arrakis? Daniel Immerwahr considers the backstory and political impact of Frank Herbert's "Dune."
Are there any liberals on Arrakis? Daniel Immerwahr considers the backstory and political impact of Frank Herbert's "Dune."
A spoken word poet discusses her craft, the dangers of commercialization, and the inspiration of Black Lives Matter.
Brad East considers "History and Eschatology: Jesus and the Promise of Natural Theology," the recently published book by N. T. Wright.
Thomas McLean traces the work and mythic nature of New Zealand modernist artist Colin McCahon.
Andrei Rogatchevski delves into “It Will Be Fun and Terrifying: Nationalism and Protest in Post-Soviet Russia,” by Fabrizio Fenghi.
Lillian Avedian examines the campaign of persecution against an outspoken Russian artist and activist.
Randy Rosenthal reviews Hari Kunzru's latest novel, "Red Pill."
Elena Sheppard reviews Rumaan Alam's new novel, "Leave the World Behind."
“Salvation Canyon” rises above the survivor-memoir genre and touches on the elemental power of consciousness.
A set of linked essays about Maine’s dying factory landscape leaves a distinct impression.
Max Norman follows "Footprints," the new book by David Farrier.
The problem of obviousness in today’s protest art.
LARB presents the special election installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
A new memoir cuts through the density of buried trauma in El Salvador.