Making Art “Bad” Again: Shock, Protest, and Visual Art in the Age of Trump
The problem of obviousness in today’s protest art.
Sophie Haigney is a writer and critic who lives in London. Her writing on art, technology, and books has appeared in The New York Times, The New Yorker, The Nation, The Baffler, and other publications.
The problem of obviousness in today’s protest art.
Throughout her life and her work, Edith Wharton struggled to find a secure and lasting sanctuary.