Do They Know It’s Xmas?
Tanya Agathocleous and Marina Bilbija find cross-cultural literary ties to the Christian holiday.
Tanya Agathocleous and Marina Bilbija find cross-cultural literary ties to the Christian holiday.
Martha Cooley reviews the latest Scholastique Mukasonga book to be translated into English, “Igifu.”
For Dear Television, Phillip Maciak explores the two Londons, the two lovers, and the two dance sequences of Lovers Rock and The Crown.
In Theresienstadt, a Nazi ghetto, efficiently managing epidemics was how the Jewish inmates maintained some semblance of a livable society.
Economic regression. Rithika Ramamurthy reviews Anne Helen Petersen’s “Can’t Even: How Millennials Became the Burnout Generation."
How denial of the truth is a corporate problem, and the potential cure is politics.
Sam Weller and Dana Gioia commemorate the centennial of Ray Bradbury’s birth and discuss the global impact of his storytelling.
A discussion of Tiyo Attallah Salah-El’s “Pen Pal: Prison Letters from a Free Spirit on Slow Death Row.”
Brad Evans speaks with Isaac Cordal, a Spanish Galician artist whose work involves sculpture and photography in the urban environment.
For Los Angeles, the advantage of the homeless crisis is that the public has finally recognized the crisis as a crisis.
DTLA 2040 is an ambitious and comprehensive plan to guide the development of greater downtown.
Martin Scorsese’s 2019 film “The Irishman” matches the austere mood of Jean-Pierre Melville’s 1969 masterpiece “Army of Shadows.”
Bob Blaisdell reviews a new biography of the late, great Tom Terrific.
The world of Andrea Hairston’s “Master of Poisons” is rich, strange, and exhilaratingly beautiful; it is also violent and terrible.
Two new YA novels explore the power of meritocratic myths in Asian American life.
Patricia A. Matthew examines the multicultural Regency era of Shonda Rhimes's new Netflix series Bridgerton.