Hooked to the Silver Screen: A Year of Isolation with David Bowie
Victoria Wiet contemplates what David Bowie has to say about pandemic psychology.
Victoria Wiet contemplates what David Bowie has to say about pandemic psychology.
Sally Massagee is captivated by Jessie van Eerden’s new book, “Call It Horses.”
Priya Satia on how the fascism analogy may help reveal what fascism always owed to Americanness and to empire.
In the wake of their spectacular Grammy performance, Michelle Cho reads the ultra-mediated nostalgia of Korean pop group BTS on American TV.
Yxta Maya Murray dives into the recent English-language translation of Pola Oloixarac’s “Mona.”
Spencer Cohen thinks about the boon of the Olympics and what it means to miss out.
Anthony Graham enjoys "Fantasy," the debut novel by Kim-Anh Schreiber.
A new essay by Katherine Angel from the High/Low issue of the LARB Quarterly Journal, No.29.
Martin Hägglund responds to his critics and expands on the immanent critique of religion found in his book "This Life."
"Ownership is not disappearing in the sharing economy — just the opposite."
A new study of the paintings and drawings of a celebrated artist of the ancien régime.
Joshua Gutterman Tranen on Zak Salih’s “Let’s Get Back to the Party” and the need for more nuanced portraits of the staggering sweep of modern gay life.
On February 20, 2021, the Los Angeles Review of Books presented the LARB/UCR Lifetime Achievement Award to three groundbreaking Poets Laureate of the United States, Rita Dove, Juan Felipe Herrera, and Joy Harjo.
Sarah Iles Johnston considers "How God Becomes Real," the recently published book by T. M. Luhrmann.
The LARB Poetry section is a place for celebration, compassion, and close reading (as well as, apparently, alliteration!).