Typical Gemini: On the “Selected Poetry” of Alexander Pushkin
Sibelan Forrester discovers Anthony Wood’s new translations of Pushkin’s storied verse.
Sibelan Forrester discovers Anthony Wood’s new translations of Pushkin’s storied verse.
Foucault’s legendary stay in Cold War Warsaw becomes an origin story for the gay community in postwar Poland.
An exhibition of Paulina Peavy’s work explores the artist’s fascination with spiritualism and alien consciousness.
Did the ancient Greeks and early Christians use psychedelics in their ceremonies?
Sam Risak recalls a time she tried to reconnect with her father.
Andrei Codrescu, Aurelian Craiutu, and Costica Bradatan discuss what it means to be an American when you were not born one.
Eric Newman and Medaya Ocher are joined by poet Kaveh Akbar to talk about his latest collection, “Pilgrim Bell.”
Loisa Fenichell makes her way through “Water I Won’t Touch” by Kayleb Rae Candrilli and “Fieldglass” by Catherine Pond.
Ronjaunee Chatterjee reviews "The Global Indies: British Imperial Culture and the Reshaping of the World, 1756–1815" by Ashley L. Cohen.
Sarah Stoller examines the commercialization of women’s sexual pleasure.
Daniel Boorstin’s 1962 book “The Image” brilliantly prefigured our world of digital media and news as entertainment.
A new book maps how the publishing ecosystem has persisted and morphed in the digital environment.
Shannon Draucker finds complicated comfort in classical music during a difficult time.
The rebranding of Bucharest’s historic center has enabled the authorities to disavow their responsibility to the city and its people.