Aristocratic Nostalgia: On Mateiu Caragiale’s “Rakes of the Old Court”
A masterpiece of Romanian modernism finally available in a superb English translation.
A masterpiece of Romanian modernism finally available in a superb English translation.
Alex Weintraub considers “Is It Ours?,” Martha Buskirk’s new book on art and copyright.
Leif Weatherby surveys the new frontier of AI critique.
Ryan Smernoff explores the boundaries of familial love in “Immediate Family,” a debut novel by Ashley Nelson Levy.
Roslyn Fuller ponders our relationship to privacy in her review of Heidi Boghosian’s “‘I Have Nothing to Hide’: And 20 Other Myths About Surveillance and Privacy.”
Richard Tempest is enchanted by Dmitry Novikov’s novel “A Flame Out at Sea,” Dmitry Novikov, translated by Christopher Culver.
Thomas Chen reviews Yan Lianke’s “Hard Like Water,” translated by Carlos Rojas.
For the Thomas Mann House series "55 Voices for Democracy," Irish novelist and academic Colm Tóibín analyzes the stability and opportunity of democracy.
Summer Kim Lee reviews Anthony Veasna So’s “Afterparties.”
Brad Evans speaks with Elizabeth Anker. A conversation in Brad Evans’s “Histories of Violence” series.
The postcolonial studies scholar speaks on the challenge of writing radical histories and the relentless coloniality of English departments.
Angus McFadzean explores the nostalgic and technophobic motives of the recent boom in suburban fantastic media.
Joshua Mohr explores defending his daughter against a man fallen on hard times.
Tom Prezelski considers “West of Slavery: The Southern Dream of a Transcontinental Empire,” the new book by Kevin Waite.
Mitch Sisskind admires “A German Family,” a morally challenging novel by Nevin Schreiner.
Aliza Wong reads “The Fiume Crisis” by Dominique Kirchner Reill and sees parallels to our current political crisis.