Johanna Drucker is the inaugural Breslauer Professor of Bibliographical Studies in the Department of Information Studies at UCLA. Her most recent titles include SpecLab: Digital Aesthetics and Projects in Speculative Computing (Chicago, 2009), and Graphic Design History: A Critical Guide (Pearson, 2008, 2nd edition late 2012). She is currently working on a database memoire, ALL, the online Museum of Writing in collaboration with University College London and King's College, and a letterpress project titled Stochastic Poetics. A collaboratively written work, Digital_Humanities, with Jeffrey Schnapp, Todd Presner, Peter Lunenfeld, and Anne Burdick is forthcoming from MIT Press.
CONTRIBUTOR ARTICLES
Fifty Years of Beyond Baroque: 1968–2018
Johanna Drucker celebrates the 50th anniversary of Beyond Baroque, one of Los Angeles’s core cultural institutions....
Embittered Spinster
"Get the word out while there is still time: poetry is fatal, especially to unmarried women." Johanna Drucker on "A Quiet Passion."...
Allegorical Knowledge: The Art of Alchemy
Johanna Drucker reviews two new exhibits at the Getty, “The Art of Alchemy” and “The Alchemy of Color.”...
Nostalgia for the Lost Subject of Technology in the Work of Casey Reas
Johanna Drucker on the nostalgia generated by our machines....
Recognizing Complicity
"Modernism was not an idea, not a singular and well-formed position. The multiplicity and heterogeneity of its dimensions have to be addressed."...
Pixel Dust: Illusions of Innovation in Scholarly Publishing
There is no technological fix....
Shut Up and Listen to the Artists!
Critics need to stop talking to each other and start listening to what artists are saying with their art....
Understanding Media: Craig Dworkin’s “No Medium”
THE TITLE of Craig Dworkin’s book, No Medium, suggests a paradox. And so it should. To some extent, the book ...
