When a Revolution Tells Children’s Stories
Mina Khanlarzadeh reflects on the children’s stories impacted by the 1979 Iranian Revolution
Mina Khanlarzadeh reflects on the children’s stories impacted by the 1979 Iranian Revolution
Kathryn Scanlan joins Kate Wolf and Medaya Ocher to discuss her new novel, “Kick the Latch.”
Lauren Mackler interviews Harmony Holiday on her new book "Maafa."
Israel Daramola reviews Nathan Fielder’s “The Rehearsal.”
Martijn Konings discusses implications of government bailouts within the neoliberal order and potential futures for the post-bailout state.
Connor Harrison reviews Julian Barnes’s new novel “Elizabeth Finch.”
Activists Ala Riani and Rezan Labady explain the significance of the Iran 2022 protests and the need to spotlight Kurdish identities in the face of cultural erasure.
Jason Namey reviews Dane Bahr’s “The Houseboat,” a gothic noir about a detective investigating an outcast suspected of murder in 1960s Iowa.
Aimee Liu speaks with Cai Emmons about her two new novels, “Unleashed” and “Livid.”
Forrest Gander considers “In a Few Minutes Before Later” by Brenda Hillman.
Erin L. Thompson considers Holly A. Pinheiro Jr.’s “The Families’ Civil War: Black Soldiers and the Fight for Racial Justice.”
Oona Holahan reviews Gwendoline Riley’s novels “First Love” and “My Phantoms.”
Henry M. Cowles reviews Patrick House’s “Nineteen Ways of Looking at Consciousness” and finds House’s brains to be remarkably similar to Wallace Stevens’s birds in “Thirteen Ways of Looking at a Blackbird.”
Don Franzen interviews law expert Mark Ellis regarding recent atrocities committed in Ukraine and the subsequent international pursuit of justice.
Kaya Genç surveys the work of Annie Ernaux via her memoir “Getting Lost,” translated by Alison L. Strayer.
Sohum Pal reviews Françoise Vergès’s “A Feminist Theory of Violence: A Decolonial Perspective,” translated by Melissa Thackway.