Conduits to a Feeling: On Sophia Giovannitti’s “Working Girl”
Ayden LeRoux reviews Sophia Giovannitti’s “Working Girl: On Selling Art and Selling Sex.”
Ayden LeRoux reviews Sophia Giovannitti’s “Working Girl: On Selling Art and Selling Sex.”
Mariella Rudi reviews Kate Flannery’s “Strip Tees: A Memoir of Millennial Los Angeles.”
James Penner on Edward J. Delaney’s 2022 novel “The Acrobat."
A. J. Urquidi treks to Orange County to report on the nexus of country, glam, psychedelia, post-punk, and noise rock.
Aya Labanieh analyzes the history of the anti-masturbation NoFap movement, which has historical roots far beyond contemporary internet culture.
Amy E. Elkins speaks with Sally Wen Mao about her new poetry collection “The Kingdom of Surfaces.”
Melanie A Marotta reviews Tananarive Due’s “The Reformatory.”
Annie Buckley reviews the “Made in L.A. 2023” exhibit at the UCLA Hammer Museum.
Jasmine Liu reviews J. M. Coetzee’s “The Pole.”
Meredith Maran reviews Caitlin Moran’s “What About Men? A Feminist Answers the Question.”
In a preview of the new LARB Quarterly, no. 39: “Air,” Dan O’Brien finds symbols of life and faith in the theater.
Jeevika Verma reviews Terrance Hayes’s “So to Speak” and “Watch Your Language: Visual and Literary Reflections on a Century of American Poetry.”
Godelieve de Bree reviews Carmen Boullosa’s “The Book of Eve”