Watching Pixels Die: Sony, HBO, and “The Last of Us”
Maria Bose and Jason Willwerscheid analyze corporate moves to adapt prestige video games into prestige TV.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Maria Bose and Jason Willwerscheid analyze corporate moves to adapt prestige video games into prestige TV.
Jason Willwerscheid, Maria BoseApr 12, 2024
Ned Resnikoff reviews Pamela Robertson Wojcik’s “Unhomed: Cycles of Mobility and Placelessness in American Cinema.”
Ned ResnikoffApr 10, 2024
Julia Gunnison reviews Radu Jude’s “Do Not Expect Too Much from the End of the World.”
Julia GunnisonApr 5, 2024
Christopher T. Fan reviews Netflix’s new show “3 Body Problem.”
Christopher T. FanMar 30, 2024
Peter Campion reviews David Thomson’s “Remotely: Travels in the Binge of TV.”
Peter CampionFeb 26, 2024
Sheila Liming gets to the bottom of Apple TV+ and Katherine Jakeways’s “The Buccaneers.”
Sheila LimingFeb 20, 2024
Michael Szalay compares apples and Apples in parsing the streamer’s strategy financially, aesthetically, narratively, and otherwise.
Michael SzalayFeb 16, 2024
Sean T. Collins explores a quartet of sleazy, sensual, sensational shows from 2023 that dared to go beyond prestige-TV dramedy realism.
Sean T. CollinsFeb 8, 2024
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Philippa SnowJan 29, 2024
J. D. Connor explains what Fox’s game show “Snake Oil,” Disney’s film “Haunted Mansion,” and NBC’s crime series “The Irrational” have in common.
J. D. ConnorDec 6, 2023
Chris Yogerst reviews Kliph Nesteroff’s book, “Outrageous: A History of Showbiz and the Culture Wars.”
Chris YogerstDec 1, 2023
Slava Greenberg looks at the legacy of Netflix’s series “Sex Education” in light of its finale
Slava GreenbergNov 16, 2023