Seriality and Slow Grief
Lauren Eriks Cline looks back at 20 years of the TV series “Lost” and the lessons it holds for us today.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Lauren Eriks Cline looks back at 20 years of the TV series “Lost” and the lessons it holds for us today.
Lauren Eriks ClineDec 11, 2024
R. John Williams considers what the HBO docuseries “Breath of Fire” reveals about “new” religious experiences.
R. John WilliamsDec 5, 2024
In the latest installment of Screen Shots, Michael Szalay reviews Alfonso Cuarón’s new Apple TV+ series “Disclaimer.”
Michael SzalayNov 9, 2024
Annie Berke considers adaptation, crossovers, and genre in her review of the novelist’s latest, “Tell Me Everything.”
Annie BerkeNov 7, 2024
Maggie Hennefeld writes on the powers and perils of satirical laughter in the run-up to the 2024 US elections.
Maggie HennefeldOct 20, 2024
Michele Willens reviews Connie Chung’s memoir, which recalls her barrier-shattering career in TV news journalism.
Michele WillensOct 13, 2024
Anne Sawyier reviews Hannah McGregor’s new book, “Clever Girl: Jurassic Park” in the context of big tech’s takeover of Hollywood.
Anne SawyierOct 2, 2024
Elizabeth Alsop investigates how the latest season of “Only Murders in the Building” reveals the pleasures and limits of coziness, in the latest installment of Screen Shots.
Elizabeth AlsopSep 22, 2024
Madeline Ullrich explores the contradictions of “children’s television” in the Max/ID series “Quiet on Set” and Jane Schoenbrun’s film “I Saw the TV Glow.”
Madeline UllrichAug 25, 2024
Annie Berke considers the figure of the woman writer in the popular TV series “Bridgerton” and “Hacks,” in the latest installment of Screen Shots.
Annie BerkeAug 18, 2024
Guldana Salimjan reviews “To the Wonder,” the Chinese TV drama that has taken audiences by storm.
Guldana SalimjanJul 27, 2024
In the latest installment of Screen Shots, Michael Szalay reviews season three of FX’s “The Bear.”
Michael SzalayJul 21, 2024