Strange New Lows
Adam Kotsko boldly goes into season three of “Star Trek: Strange New Worlds” with high expectations.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Adam Kotsko boldly goes into season three of “Star Trek: Strange New Worlds” with high expectations.
Adam KotskoNov 7
Tia Glista examines the pro-child paranoia that fuels FX’s new series “Alien: Earth.”
Tia GlistaNov 4
Deborah L. Jaramillo looks at the relationship between the FCC and the television industry over time.
Deborah L. JaramilloOct 3
Dorie Chevlen explores the limits of love in the Prime Video series “The Summer I Turned Pretty.”
Dorie ChevlenSep 20
Elizabeth Alsop reviews “The Studio,” “The Franchise,” and other recent industry satires.
Elizabeth AlsopAug 17
Eliana Rozinov analyzes the interplay between two recent shows, “Sirens” and “Hacks.”
Eliana RozinovAug 15
Tim Riley reviews Alan Siegel’s “Stupid TV, Be More Funny: How the Golden Era of ‘The Simpsons’ Changed Television—and America—Forever.”
Tim RileyJul 30
Paul Thompson reviews Nathan Fielder’s “The Rehearsal.”
Paul ThompsonJul 2
Jordan Brower considers the abjuring of depth undertaken by the Apple TV+ series “Severance.”
Jordan BrowerJun 30
Annie Berke watches Celine Song’s new film “Materialists” and the Netflix show “With Love, Meghan.”
Annie BerkeJun 29
Charlotte E. Rosen breaks down the political ramifications of Max’s “The Pitt” for subjects of an anti-expertise, anti-empathy fascist regime.
Charlotte E. RosenMay 18
Kyle Stevens examines the farce at the heart of the third season of HBO’s “The White Lotus.”
Kyle StevensMay 12