An Art of Variety: A Response to Richard Joseph
Antonio J. Ferraro responds to Richard Joseph on the state of contemporary literary criticism, online and elsewhere.
"Writing only leads to more writing." — Colette
Antonio J. Ferraro responds to Richard Joseph on the state of contemporary literary criticism, online and elsewhere.
Antonio J. FerraroMay 31, 2022
Matthew Eatough assesses two new books by Joe Cleary, “Modernism, Empire, World Literature” and “The Irish Expatriate Novel in Late Capitalist Globalization.”
Matthew EatoughMay 30, 2022
Our culture is preoccupied with content to the almost total exclusion of form, and that’s bad.
Colin MarshallMay 22, 2022
Andrew Neilson gets under the skin of Jonathan F. S. Post’s “Elizabeth Bishop: A Very Short Introduction.”
Andrew NeilsonMay 2, 2022
When your dinner-party host offers you a madeleine, how do you respond, and why?
Colton ValentineApr 14, 2022
Lindsay Wilhelm thinks about what it means to procreate in a time of impending doom in a review of Aaron Matz’s “The Novel and the Problem of New Life.”
Lindsay WilhelmApr 7, 2022
The prolific poet-critic discusses her latest book of essays, “Silent Refusal.”
Molly GaudryApr 1, 2022
This superb critical study explores “what makes poetry with a capital P so captivating and indispensable.”
Tal GoldfajnMar 29, 2022
Gianluca Didino remembers W. G. Sebald through two recent books.
Gianluca DidinoMar 20, 2022
Nataliya Karageorgos reviews José Vergara's "All Future Plunges to the Past," a new book about James Joyce's influence on Russian literature.
Nataliya KarageorgosFeb 28, 2022
Christine Jacobson finds a “convivial companion,” as well as catharsis, in “Tolstoy Together: 85 Days of War and Peace with Yiyun Li,” edited by Brigid Hughes.
Christine JacobsonFeb 25, 2022
Why are there so many amateur therapists in today's fiction?
Christina FogarasiFeb 16, 2022