Who Is This Writing For? On Elaine Castillo’s “How to Read Now”
Kathy Chow reviews Elaine Castillo’s new collection of essays, “How To Read Now.”
"Writing only leads to more writing." — Colette
Kathy Chow reviews Elaine Castillo’s new collection of essays, “How To Read Now.”
Kathy ChowAug 9, 2022
Steven Shaviro reviews "Dark Scenes from Damaged Earth," a new academic collection of weird ecocriticism edited by Justin D. Edwards, Rune Graulund, and Johan Höglund.
Steven ShaviroAug 6, 2022
The long-prophesied “death of the author” has made us all authors of unceasing social narratives.
Jared Marcel PollenJul 18, 2022
Jason DeYoung reads Shushan Avagyan’s new translation of Viktor Shklovsky’s classic work, “On the Theory of Prose.”
Jason DeYoungJul 3, 2022
Kelly Baker Josephs reviews Matthew G. Kirschenbaum’s “Bitstreams: The Future of Digital Literary Heritage.”
Kelly Baker JosephsJul 1, 2022
Alexandra Kingston-Reese charts “Life-Destroying Diagrams,” the new book by Eugenie Brinkema.
Alexandra Kingston-ReeseJun 25, 2022
Antonio J. Ferraro responds to Richard Joseph on the state of contemporary literary criticism, online and elsewhere.
Antonio J. FerraroMay 31, 2022
Matthew Eatough assesses two new books by Joe Cleary, “Modernism, Empire, World Literature” and “The Irish Expatriate Novel in Late Capitalist Globalization.”
Matthew EatoughMay 30, 2022
Our culture is preoccupied with content to the almost total exclusion of form, and that’s bad.
Colin MarshallMay 22, 2022
Andrew Neilson gets under the skin of Jonathan F. S. Post’s “Elizabeth Bishop: A Very Short Introduction.”
Andrew NeilsonMay 2, 2022
When your dinner-party host offers you a madeleine, how do you respond, and why?
Colton ValentineApr 14, 2022
Lindsay Wilhelm thinks about what it means to procreate in a time of impending doom in a review of Aaron Matz’s “The Novel and the Problem of New Life.”
Lindsay WilhelmApr 7, 2022