Group-Chat Energy of Delusion: On Gabriella Angotti-Jones’s “I Just Wanna Surf”
Chloe Watlington reviews Gabriella Angotti-Jones’s “I Just Wanna Surf.”
"Art is making something out of nothing and selling it." — Frank Zappa
Chloe Watlington reviews Gabriella Angotti-Jones’s “I Just Wanna Surf.”
Chloe WatlingtonMar 17, 2023
Emma Kemp reviews Mark Alice Durant’s new biography of the enigmatic experimental filmmaker: “Maya Deren: Choreographed for Camera.”
Emma KempJan 19, 2023
Rosa Boshier González on Laura Aguilar’s Los Angeles from The LARB Quarterly, no. 36: “Are you content?”
Rosa Boshier GonzálezJan 18, 2023
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle TeaJan 13, 2023
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
Isabel RuehlDec 21, 2022
David Matorin reviews Jennifer West’s debut artist monograph, “Media Archaeology.”
David MatorinDec 14, 2022
Jessica McCort reviews Malcolm Whyte’s “Gorey Secrets: Artistic and Literary Inspirations Behind Divers Books by Edward Gorey” and Nathalie Tierce’s “Pulling Weeds from a Cactus Garden.”
Jessica McCortDec 7, 2022
José Luis Benavides reviews “Abecedario de Juárez: An Illustrated Lexicon” by Julián Cardona and Alice Leora Briggs, with translations by Alice L. Driver.
José Luis BenavidesNov 21, 2022
Patrick A. Howell scans the legacy of the great African American photographer Robert Houston.
Patrick A. HowellOct 8, 2022
Rose Higham-Stainton pores over “The Letters of Rosemary and Bernadette Mayer 1976–1980.”
Rose Higham-StaintonOct 7, 2022
Eric Newman interviews Ekow Eshun, curator of “In the Black Fantastic,” a recent speculative arts exhibit at London’s Hayward Gallery and its eponymous companion book from MIT Press.
Eric NewmanOct 1, 2022
Porochista Khakpour muses on artist Nadia Lee Cohen's recent creative explorations in Los Angeles.
Porochista KhakpourSep 27, 2022