When Mise-En-Scène Is Metaphor: On Celine Song’s “Past Lives”
Asher Luberto examines Celine Song’s new film “Past Lives.”
"Art is making something out of nothing and selling it." — Frank Zappa
Asher Luberto examines Celine Song’s new film “Past Lives.”
Asher LubertoAug 6, 2023
Grace Linden reviews Nicole Flattery’s “Nothing Special.”
Grace LindenJul 16, 2023
Nora N. Khan interviews writer and artist Mashinka Firunts Hakopian about her new book, “The Institute for Other Intelligences.”
Nora N. KhanJun 19, 2023
Matthew Spektor analyzes the Los Angeles photography of Stephen Hilger’s “In the Alley.”
Matthew SpecktorJun 14, 2023
Martha Anne Toll reviews Jennifer Homans’s “Mr. B: George Balanchine’s 20th Century.”
Martha Anne TollJun 4, 2023
Tom Zoellner talks to Pete Candler about his new book “The Road to Unforgetting: Detours in the American South, 1997–2022.”
Tom ZoellnerApr 28, 2023
Anna Levett muses on the revolutionary potential of art.
Anna LevettApr 1, 2023
Chloe Watlington reviews Gabriella Angotti-Jones’s “I Just Wanna Surf.”
Chloe WatlingtonMar 17, 2023
Emma Kemp reviews Mark Alice Durant’s new biography of the enigmatic experimental filmmaker: “Maya Deren: Choreographed for Camera.”
Emma KempJan 19, 2023
Rosa Boshier González on Laura Aguilar’s Los Angeles from The LARB Quarterly, no. 36: “Are you content?”
Rosa Boshier GonzálezJan 18, 2023
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle TeaJan 13, 2023
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
Isabel RuehlDec 21, 2022