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Life in the Archive
Rowland Bagnall reviews the recent rerelease of Bernadette Mayer’s “Memory.”
Art & Architecture
"Art is making something out of nothing and selling it." — Frank Zappa
The Last Avant-Garde
Alexander Billet reviews Dominique Routhier’s “With and Against: The Situationist International in the Age of Automation.”
Rejoice, Artists and Lawyers, at the Mutual Goal of Art and Law: On Yxta Maya Murray’s “We Make Each Other Beautiful”
Ishani Chokshi reviews Yxta Maya Murray’s latest book, “We Make Each Other Beautiful: Art, Activism, and the Law.”
Another World, Another Life: On Anaïs Ngbanzo’s “Who Are You Dorothy Dean?”
Conor Williams reviews a new biography of Dorothy Dean, edited by Anaïs Ngbanzo.
The Ongoing Present: On Teresa Aranguren and Sandra Barrilaro’s “Against Erasure”
Tal Frieden reviews “Against Erasure: A Photographic Memory of Palestine Before the Nakba” by Teresa Aranguren and Sandra Barrilaro.
Pull the Red Thread: On Alice Rohrwacher’s “La chimera”
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Toward a Black Alternative Media: On Robeson Taj Frazier’s “KAOS Theory”
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Awaiting Apocalypse at a Red Light: On Radu Jude’s “Do Not Expect Too Much from the End of the World”
Julia Gunnison reviews Radu Jude’s “Do Not Expect Too Much from the End of the World.”
A New Hong Kong Cinema That Lives On: On Tiffany Sia’s “On and Off-Screen Imaginaries”
Jenny Wu reviews Tiffany Sia’s “On and Off-Screen Imaginaries.”
The Secret Growing: On the New Spiritual Art Canon
Steffie Nelson surveys the recent institutional embrace of visionary women artists.
Dreaming into Existence: Collaborative Art in Prison
Annie Buckley describes her experiences working with incarcerated artists via the Prison Arts Collective.
Multifaceted Portals of Discovery: On Janet Sternburg’s “Looking at Mexico / Mexico Looks Back”
Brendan Riley reviews Janet Sternburg’s new collection of photographs, “Looking at Mexico / Mexico Looks Back.”
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