All Hail the Guilty Pleasures: On Ali Liebegott’s “Rooms and Other Feelings”
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
"Art is making something out of nothing and selling it." — Frank Zappa
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle TeaJan 13, 2023
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
Isabel RuehlDec 21, 2022
David Matorin reviews Jennifer West’s debut artist monograph, “Media Archaeology.”
David MatorinDec 14, 2022
Jessica McCort reviews Malcolm Whyte’s “Gorey Secrets: Artistic and Literary Inspirations Behind Divers Books by Edward Gorey” and Nathalie Tierce’s “Pulling Weeds from a Cactus Garden.”
Jessica McCortDec 7, 2022
José Luis Benavides reviews “Abecedario de Juárez: An Illustrated Lexicon” by Julián Cardona and Alice Leora Briggs, with translations by Alice L. Driver.
José Luis BenavidesNov 21, 2022
Patrick A. Howell scans the legacy of the great African American photographer Robert Houston.
Patrick A. HowellOct 8, 2022
Rose Higham-Stainton pores over “The Letters of Rosemary and Bernadette Mayer 1976–1980.”
Rose Higham-StaintonOct 7, 2022
Eric Newman interviews Ekow Eshun, curator of “In the Black Fantastic,” a recent speculative arts exhibit at London’s Hayward Gallery and its eponymous companion book from MIT Press.
Eric NewmanOct 1, 2022
Porochista Khakpour muses on artist Nadia Lee Cohen's recent creative explorations in Los Angeles.
Porochista KhakpourSep 27, 2022
Justin Tyler Clark reviews Mark Braude’s new biography “Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris.”
Justin Tyler ClarkSep 20, 2022
Travis Diehl on Justin Beal’s biography-cum-memoir, “Sandfuture.”
Travis DiehlSep 16, 2022
Juan Camilo Velásquez analyzes how Apichatpong Weerasethakul’s “Memoria” constructs the space of Bogotá.
Juan Camilo VelásquezSep 1, 2022